Archive for the ‘nominee’ Tag

• January 27, 2012 Film review: Albert Nobbs posted in Film reviews tagged 1800s, 1890s, 2011, 2012, Aaron Johnson, acting, actress, actress in a leading role, adaptation, adapted, Alan Moloney, albert, albert nobbs, as, as a man, as man, ashley, award, awards, baby, based on, based on George Moore's novella, best actress, blog, Bonnie Curtis, Brendan Gleeson Maria Doyle Kennedy, Brian Byrne, butler, butlers, child, close, critic, david, david ashley, dress, dressed, dublin, dyke, faking, fooling, Gabriella Prekop, gay, gays, george moore, glenn, glenn close, hotel, ireland, irish, Istvan Szabo (story), Janet McTeer, John Banville, Jonathan Rhys Meyers, Julie Lynn, leading role, lesbian, lesbians, love, lovers, lynn johnston, maid, makeup, martial corneville, matthew w. mungle, mia, Mia Wasikowska, Michael McDonough, Mockingbird Pictures, nobbs, nom, nominated, nomination, nominee, novella, oscar, oscars, Parallel Films Productions, pregnant, pretending, review, reviewed, reviewer, Roadside Attractions, rodrigo garcia, screened, screening, servant, servants, short story, Steven Weisberg, supporting, supporting actress, Trillium, valet, valets, woman dressed as man
• January 27, 2012 Film review: A Separation posted in Film reviews tagged 2009, 2010, 2011, 2012, a separation, academy awards, AFI FEST, Alzheimer's, Asghar Farhadi, ashley, berlinale, best, best foreign feature, best original screenplay, blog, care, class, classes, conditions, couple, critic, david, david ashley, desperate, desperation, disease, elderly, father, film, film review, foreign, foreign film, foreign language, golden globe, golden globes, green, green revolution, Hayedeh Safiyari, health, home care, Iran, iranian, jafar panahi, JODAEIYE NADER AZ SIMIN, LAFCA, Leila Hatami, lower, lower class, Mahmood Kalari, marriage, married, melbourne, Memento Films, middle class, movie, nader, nader and simin, nomination, nominee, oscar, oscar nom, oscars, Peyman Moaadi, review, reviewed, Sareh Bayat, Sarina Farhadi, Sattar Oraki, screened, screening, screenplay, screens, script, separated, Shahab Hosseini, simin, subtitled, subtitles, termeh, worker, writer, written by
• February 20, 2011 2011 Oscars posted in Criticism tagged 127 hours, 2010, 2011, aaron sorkin, academy, achievement, action, actor, actress, adapted, Alejandro González Iñárritu, amy adams, andrew stanton, animal kingdom, animated, anne hathaway, anne rosellini, annette bening, another year, art, art direction, award, awards, ballot, biutiful, black swan, blue valentine, ceremony, chris sanders, christian bale, christopher nolan, coen bros, coen brothers, colin firth, danny boyle, danny cohen, darren aronofsky, david ashley, david fincher, david o. russell, david seidler, dean deblois, debra granik, directing, directly, editing, effects, eric johnson, ethan coen, film, films, geoffrey rush, hailee steinfeld, helena bonham carter, hollywood, how to train your dragon, inception, jacki weaver, james franco, javier bardem, jeff bridges, jeff cronenweth, jennifer lawrence, jeremy renner, jesse eisenberg, joel coen, john hawkes, john lasseter, lee unkrich, lisa cholodenko, live, mark ruffalo, matthew liatique, melissa leo, michael arndt, michelle williams, mike leigh, movie, movies, natalie portman, nicole kidman, no country for old men, nominee, original, oscar, paul tamasy, performance, rabbit hole, roger deakins, scott silver, screenplay, short, simon beaufoy, song, stuart blumberg, supporting, sylvain chomet, technical, technicians, the fighter, the illusionist, the kids are all right, the king's speech, the social network, the town, tom hooper, toy story 3, true grit, visual, wally pfister, winter's bone, writing, written