Archive for the ‘oscars’ Tag

• February 26, 2012 2012 Oscars posted in Criticism tagged 2012, a separation, academy, academy awards, academy awards 2012, actor, actor in a leading role, actor in a supporting role, actress, actress in a leading role, actress in a supporting role, adapted, albert nobbs, alberto iglesias, alexander payne, animated, animated feature film, anne-sophie bion, anonymous, art direction, Asghar Farhadi, ashley, award, awards, Bérénice Bejo, beginners, best, best actor, best actress, best director, best foreign feature, best original screenplay, best picture, blog, blogging, brad pitt, bridesmaids, Bridget O'Connor and Peter Straughan, bullhead, by, chicago, chico & rita, christopher plummer, christopher tellefsen, cinematography, costume design, critic, david, Demián Bichir, directing, director, documentary, drive, extremely loud & incredibly close, fassbender, feature, film, film editing, filmmaker, films, footnote, gary oldman, george clooney, glenn close, howard shore, hugo, in darkness, j.c. chandor, jane eyre, jean dujardin, jessica chastain, joe berlinger, John Logan, John Williams, leading role, live, live action, live-blogging, liveblogging, makeup, margin call, martin scorsese, meryl streep, michael, michael fassbender, midnight in paris, moneyball, movie, movies, my week with marilyn, nick nolte, Octavia Spencer, original, original score, original song, oscar, oscars, picture, rango, real in rio, real steel, reporting, Rise of the Planet of the Apes, saving face, score, screenplay, short, short film, song, sound editing, sound mixing, Steven Zaillian, supporting, supporting actor, supporting actress, supporting role, swinton, terrence malick, the artist, the descendants, the descendents, the help, the tree of life, undefeated, w.e., woody allen, writer, writing
• February 1, 2012 Daily notes 2012-02 posted in Daily notes tagged 1994, 2002, 2010, 2011, 2012, a study in pink, academy, academy awards, andrew scott, ashley, awards, barton fink, bbc, benedict, benedict cumberbatch, blanc, blog, britian, british, brothers, bruce robinson, cannes, critic, cumberbatch, currently, currently watching, daily notes, dardenne, david, david ashley, docu, documentary, earth liberation front, eco, eco terrorism, eco terrorists, ELF, film, giovanni ribisi, holmes, horse, hunter s. thompson, if a tree falls, jacob wysocki, jean-pierre, jim, jim moriarty, john c. reilly, julie delpy, just finished, kieslowski, krzysztof kieslowski, luc, Mark Gatiss, marshall curry, Martin Freeman, monte hellman, moriarty, movie, mycroft, oscar, oscar investigations, oscar nominated, oscars, racing dreams, review, richard jenkins, road to nowhere, roman polanski, sentimental, serial, series, sherlock, sherlock holmes, show, spielberg, Steven Moffat, television, terri, the blind banker, the kid with a bike, the pianist, the rum diary, three colors, trilogy, Trois Couleurs, tv, uk, united kingdom, war, war horse, watching, white, WWI
• January 27, 2012 Film review: Albert Nobbs posted in Film reviews tagged 1800s, 1890s, 2011, 2012, Aaron Johnson, acting, actress, actress in a leading role, adaptation, adapted, Alan Moloney, albert, albert nobbs, as, as a man, as man, ashley, award, awards, baby, based on, based on George Moore's novella, best actress, blog, Bonnie Curtis, Brendan Gleeson Maria Doyle Kennedy, Brian Byrne, butler, butlers, child, close, critic, david, david ashley, dress, dressed, dublin, dyke, faking, fooling, Gabriella Prekop, gay, gays, george moore, glenn, glenn close, hotel, ireland, irish, Istvan Szabo (story), Janet McTeer, John Banville, Jonathan Rhys Meyers, Julie Lynn, leading role, lesbian, lesbians, love, lovers, lynn johnston, maid, makeup, martial corneville, matthew w. mungle, mia, Mia Wasikowska, Michael McDonough, Mockingbird Pictures, nobbs, nom, nominated, nomination, nominee, novella, oscar, oscars, Parallel Films Productions, pregnant, pretending, review, reviewed, reviewer, Roadside Attractions, rodrigo garcia, screened, screening, servant, servants, short story, Steven Weisberg, supporting, supporting actress, Trillium, valet, valets, woman dressed as man
• January 27, 2012 Film review: A Separation posted in Film reviews tagged 2009, 2010, 2011, 2012, a separation, academy awards, AFI FEST, Alzheimer's, Asghar Farhadi, ashley, berlinale, best, best foreign feature, best original screenplay, blog, care, class, classes, conditions, couple, critic, david, david ashley, desperate, desperation, disease, elderly, father, film, film review, foreign, foreign film, foreign language, golden globe, golden globes, green, green revolution, Hayedeh Safiyari, health, home care, Iran, iranian, jafar panahi, JODAEIYE NADER AZ SIMIN, LAFCA, Leila Hatami, lower, lower class, Mahmood Kalari, marriage, married, melbourne, Memento Films, middle class, movie, nader, nader and simin, nomination, nominee, oscar, oscar nom, oscars, Peyman Moaadi, review, reviewed, Sareh Bayat, Sarina Farhadi, Sattar Oraki, screened, screening, screenplay, screens, script, separated, Shahab Hosseini, simin, subtitled, subtitles, termeh, worker, writer, written by
• January 26, 2012 Daily notes 2012-01 posted in Daily notes tagged 1983, 1999, 2010, 2011, 2012, academy awards, Adriano Goldman, afghanistan, alice, alice harford, anger, annabel lee, ashley, awards, bill harford, brendan gleeson, bridesmaids, childish, currently, currently watching, daily noters, daily notes, david, david ashley, doctor, docu, documentary, don cheadle, dostoevsky, eddie marsan, eyes wide shut, fassbender, film, goncharov, guard, hell and back again, hipster, ireland, irish, jane eyre, january, joe berlinger, kubrick, literary, Mia Wasikowska, michael mann, milwaukee, miranda july, mirror, movie, nicole kidman, nietzsche, oblomov, oscar, oscars, paddy considine, paradise lost, paradise lost 3: purgatory, peter mullan, poe, precious, purgatory, references, sandor szavost, schopenhauer, soldier, spielberg, stanley kubrick, the future, the guard, the keep, Tom Cruise, tom hardy, twee, tyrannosaur, violence, war horse, warrior, watching, west memphis 3, west memphis three, wm3, wounded, ziegler
• April 20, 2011 Film review: In a Better World posted in Film reviews tagged 2010, academy, academy award, american beauty, Anders Thomas Jensen, ashley, award, best, best foreign film, best foreign language film, blog, critic, danish, david, david ashley, denmark, film, foreign, foreign language, in a better world, Johan Söderqvist, language, lars von trier, Markus Rygaard, Mikael Persbrandt, moral, morality, morals, Morten Egholm, Morten Søborg, movie, Nordisk Film, oscar, oscars, Pernille Bech Christensen, review, reviewed, screen, screened, screening, Sisse Graum Jørgensen, Susanne bier, Trine Dyrholm, Ulrich Thomsen, violence, William Jøhnk Nielsen, winner, world, written by, written by David Ashley, zentropa